CG Artist toolkit: Maya- Games Assets Low Res- Part2

CG Artist's Toolkit: Maya- Head Modelling Part 4: The Mouth

CG Artist's Toolkit: Maya- Head Modelling Part 3: Refined Blocking

CG Artist's Toolkit: Maya- Head Modelling Part 2: Blocking

CG Artist's Toolkit: Maya- Head Modelling Part 1 - Importing Images Planes and creating a Custom Tool Shelf

CG Artist's Toolkit- Character and Animation

Toolkit animation- Sketchbook

CG Artist’s Toolkit animation drawings

CG Artist's Toolkit: Life drawing

CG Artist’s Toolkit lifedrawing

CG Artist's Toolkit: Showreel Crit

Unit4: CG Artists Toolkit- Lifedrawing week2

During this lesson we have started straight away with a 30min pose, long poses really defeat me

So I have decided to do many drawings of the same pose.

I enjoyed the rest of the lesson, as we had to draw the lines in an abstract form

and  respond to the poses in an expressionistic way.

Unit4: CG Artists Toolkit- Lifedrawing week1

During this lesson we had to volunteer to model for the rest of the class.

Unit3: CG Artists Toolkit- Lifedrawing Week6

During this session, I aimed at some sort of expressionistic style, which will help me during my current character design.

Quick poses ( 2min)

35min pose

 15min poses

@Alan - Maya Tutorial Spot Check

Intro to Autodesk Maya

Geometry Types         

Character Part 1: Modelling      

Texturing Part 1: Common Shaders     

Character Part 2: Textures          

Character Part 3: Lighting & Rendering      

Animation Part 1: Using Rigs (Tutorial at 14 mins - Car Only)    

Pre-Viz 1: Intro to Pre-Visualisation

Camera Control Part 1: Creating a Camera Rig

Camera Control Part 2: Pan Shot

Camera Control Part 2: Roll Shot

Camera Control Part 2: Pitch Shot

Camera Control Part 3: Crane Shot

Camera Control Part 3: Dolly Shot

Camera Control Part 3: Distance Shot

Camera Control Part 4: Focal Length

Camera Control Part 4: Coverage

Camera Control Part 4: Camera Shake

Animation 1: Intro to Character Animation

The Bouncing Ball Part 1: On The Spot

The Bouncing Ball Part 2: With Travel & Rotation

Settle & Rest: Pendulum

Secondary Action & Overlap: Hanging Chain

Squash & Stretch: Jumping

Anticipation & Follow-Through: Can Snatch

CG Artist's Toolkit: Maya- Intro to Autodesk Maya

Geometry Types:

Character Part 1: Modelling:

Texturing Part 1: Common Shaders:

Character Part 2: Textures:

Character Part 3: Lighting & Rendering:

Animation Part 1: Using Rigs (Tutorial at 14 mins - Car Only) :

CG Artist's Toolkit: Maya- Pre-Viz 1

Camera Control Part 1: Creating a Camera Rig:

Camera Control Part 2: Pan Shot




Camera Control Part 2: Roll Shot




Camera Control Part 2: Pitch Shot




Camera Control Part 3: Crane Shot




Camera Control Part 3: Dolly Shot




Camera Control Part 3: Distance Shot

Close up: 



Mid- distance:




Far Distance:



Camera Control Part 4: Focal Length



Camera Control Part 4: Coverage




Camera Control Part 4: Camera Shake

Pass by:



Car Drops:

CG Artist's Toolkit: Maya- Intro to Character Animation

The Bouncing Ball Part 1: On the Spot



Secondary Action & Overlap: Hanging Chain



The Bouncing Ball Part 2: With Travel & Rotation



Settle & Rest: Pendulum



Squash & Stretch: Jumping



Anticipation & Follow-through: Can Snatch

Unit3: CG Artist's Toolkit- Week3

This session was about drawing quick poses which I prefer the most, as well as doing linear drawings of a sequence.

Unit3: CG Artists Toolkit- Week2

Quick Poses (1min)

Trying to communicate timidity through this drawing, by making it in the centre of the image and small

Concerning this drawing, I used straight sharp lines to evoke some sort of dominance.

Unit3: CG Artists Toolkit- Week1

During this lesson We have done quick poses which could be seen in number 1, and longer poses (15min) in which I have tried to do something different (Number3,4) using straight lines which gives a sort of expressionistic cubic look.

1-Quick Poses

2- 

 3)

4)

CG Artist’s Toolkit: Life drawing week12

Quick poses

This was very interesting, we had to draw the model while she is doing a walk cycle, a minimum of lines to catch the essence of the pose.

10min pose, but as the pose was tricky in terms of perspective, I kept practising and trying to get it right.

Experimenting with different colours